home
bio + cv
recent
past
early
works on paper
collections
projects
reviews  + essays
contact
links
 
 It is clear she recognizes that the complexity of her subject, of her stories, requires an equally complex glue to hold it together.
 
2
1
 

Montreal Museum of Fine Arts
One of several works in the collection

If I Loved a Cowboy…Leaving her Fingerprints All Over Everything She Does, 1994. Synthetic polymer on linen, 7 ½ x 10 ¼ feet (228.6cm x 312.4cm). Black voids permeate all the Saskatchewan paintings with the idea that there are gaps in the story. Here they function also as holes through which the rabbits slip.